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Tanglewood 2022 reviews

  • Ringo puts wraps on Tanglewood, 2022
  • Van Morrison at Tanglewood, Aug. 4, 2022
  • Judy Collins at Tanglewod, Aug. 3, 2022
  • Richard Thompson at Tanglewood, Sept. 3, 2022
  • BSO Tanglewood season has glorious finale, Aug. 28, 2022
  • Itzhak Perlman at Tanglewood, Aug. 21, 2022
  • Yo-yo Ma plays Elgar Cello Concerto, Tanglewood, Aug. 14, 2022
  • Ades, Mozart, and Holst at Tanglewood, Aug. 7, 2022
  • Tip Top Tanglewood on Parade, Aug. 2, 2022
  • Paul Lewis wraps Beethoven pentad, July 31, 2022
  • Silkroad Ensemble at Ozawa Hall, July 28, 2022
  • Tanglewood 2022 season opens, July 12, 2022
  • Tanglewood Music Center opening exercises, July 7, 2022
  • James Taylor at Tanglewood July 4, 2022
  • Mavericks at Tanglewood, June 26, 2022

Richard Thompson at Tanglewood, Sept. 3, 2022

By Dave Read (Sept. 3, 2022 concert) – It is a great treat to witness the elasticity of the Koussevitsky Music Shed at Tanglewood. A mere six days after it proved the ideal venue for a performance of Beethoven’s Symphony no. 9, by two hundred +/- members of the Boston Symphony Orchestra and Tanglewood Festival Chorus, a lone man with guitar and voice fills the same space with music of equivalent brilliance.

Richard Thompson at Tanglewood, Sept. 3, 2022; Hilary Scott photo.
Richard Thompson at Tanglewood, Sept. 3, 2022; Hilary Scott photo.

Richard Thompson is a guitar virtuoso and songwriter from England who co-founded a great band, Fairport Convention, in 1967, a time when great bands had scant life expectancy (Electric Flag, Cream, Blind Faith, Moby Grape, The Fugs, Ultimate Spinach…). He left the band in 1970, had great success in a duet with his wife Linda for a decade or so, and has been a revered solo practitioner ever since. (The brand Fairport Convention continues, but not as a great band.)

Revealed in Thompson’s abbreviated set, is a man who has seen, felt, and imagined things he needs to sing about, with a rich voice that blends seamlessly with the brilliance of his guitar work.

It is mystifying how an artist, at this stage of a remarkable career, is billed as an opening act, and it would be unkind to suggest that the headliner may need the box office boost Thompson provides.

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