Tanglewood on Parade

Article updated Aug. 11, 2018 by Dave Read

Tanglewood on Parade, the Boston Symphony Orchestra’s annual fundraiser in support of the Tanglewood Music Center, with a schedule of concerts, recitals and events all afternoon and culminating with a gala evening concert, was visited by late afternoon thunderstorms that sent music lovers as well as all manner of picnicers skedaddling. Nobody was surprised by the storm; an alert was sounding when we arrived around two fifteen, gates were closed and patrons were told to leave the lawn, to take shelter in the Shed.

That warning expired soon as the storm passed by, the sky overhead cleared and we scurried back and forth from the press entrance near Seiji Ozawa Hall all the way over to the Theatre near the main entrance for the 2:30 concert by the Tanglewood Music Center percussion fellows. But the Theatre was empty – even despite being a designated shelter from (the) storm! The only person there was another drum fan; I walked over to the main gate, looked at the flyer being offered to entering patrons and saw the percussion concert had been re-scheduled for Ozawa Hall. But why wasn’t anybody at the Theatre, the designated shelter, while storm warnings were sounding and people were being shooed off the Lawn?

The concert by TMC percussion fellows was a fascinating display of the variety of percussion instruments – or more accurately, they showed that in the world of a skilled percussionist, anything can be used as one. In the first piece, the drummers began with quiet drumstick taps on the rim of the snare drum and finished with soft palm taps on the thigh! In between, the standard drum kits got thorough workovers and the audience got very excited.

Hotels in the Berkshires

Find hotels near Tanglewood with user reviews, check amenities, nearby attractions, availability and then book your room reservations at these lodging establishments through our partner, International Hotel Solutions (IHS), the leading provider of secure online hotel reservations.

2018 Tanglewood schedule

The 2018 Tanglewood schedulefeatures a season-long celebration of the centennial of Leonard’s Bernstein’s birth, culminating in the Aug. 25 Bernstein Centennial Celebration hosted by Audra McDonald, with Maestro Andris Nelsons, four guest conductors and soloists Yo-Yo Ma, Midori, and others.

August 2, 2016 Tanglewood concert review by Dave Read

Tanglewood on Parade is one of those events that qualifies as the coolest thing in the world, an event you’d make a point of attending, if you knew enough to. It is an all-day celebration of all things classically musical, in a variety of venues spread amid the Boston Symphony Orchestra’s million-acre campus in the Berkshires. You could catch two full symphonic concerts plus several recitals, while picnicking in the company of true picnic hobbyists, all on the same nickel.

Tchaikovsky’s simple and triumphant 1812 Overture caps the Gala Concert – the lithe Keith Lockhart conducting a massive ensemble combining the Tanglewood Music Center Orchestra with the Boston Symphony Orchestra and the Boston Pops, including live mortar rounds while the Overture climaxes, followed by a twenty minute fireworks display over nearby Stockbridge Bowl.

Even the musically challenged, people who don’t know an allegro from a concertante, can witness it once, then again annually for a decade or more and still retain his utter naivete. The place hath charms that soothe even the rustic’s breast.

Tanglewood on Parade Concert Program

Tuesday, August 1, at 8pm
THE GREGORY E. BULGER FOUNDATION CONCERT
BOSTON SYMPHONY ORCHESTRA
TANGLEWOOD MUSIC CENTER ORCHESTRA
BOSTON POPS ORCHESTRA
CHARLES DUTOIT, MORITZ GNANN, KEITH LOCKHART,
KEN-DAVID MASUR, BRAMWELL TOVEY, and
JOHN WILLIAMS, conductors
GARRICK OHLSSON, piano
DAWN UPSHAW, soprano

COPLAND Fanfare for the Common Man
FELLOWS OF THE TANGLEWOOD MUSIC CENTER,
KEN-DAVID MASUR conducting

COPLAND Concerto for Piano and Orchestra
Andante sostenuto—
Molto moderato—Allegro assai
GARRICK OHLSSON, piano
TANGLEWOOD MUSIC CENTER ORCHESTRA,
BRAMWELL TOVEY conducting

KODÁLY Suite from Háry János
Prelude. The Fairy Tale Begins Viennese Musical Clock Song
The Battle and Defeat of Napoleon
Intermezzo
Entrance of the Emperor and his Court
TANGLEWOOD MUSIC CENTER ORCHESTRA,
CHARLES DUTOIT conducting

INTERMISSION

MENDELSSOHN Overture, The Hebrides (Fingal’s Cave), Opus 26
BOSTON SYMPHONY ORCHESTRA,
MORITZ GNANN conducting

GERSHWIN / KERN (arr. Nelson Riddle)
“Love is Here to Stay”
“I Won’t Dance”
DAWN UPSHAW, soprano
BOSTON POPS ORCHESTRA
KEITH LOCKHART conducting

John WILLIAMS Scherzo for Motorcycle and Orchestra from Indiana Jones and the Last Crusade
A New Beginning from Minority Report
Throne Room & Finale from Star Wars
BOSTON POPS ORCHESTRA
JOHN WILLIAMS conducting

TCHAIKOVSKY 1812 Overture, Opus 49
TMC ORCHESTRA and
BOSTON SYMPHONY ORCHESTRA
KEITH LOCKHART conducting

Tanglewood tickets, : box office info.

Hotels near Tanglewood

Find hotels near Tanglewood with user reviews, check amenities, nearby attractions, availability and then book your room reservations at these lodging establishments through our partner, International Hotel Solutions (IHS), the leading provider of secure online hotel reservations.

Getting around the Tanglewood campus

The Tanglewood campus, summer home of the Boston Symphony Orchestra and the Tanglewood Music Center comprises several hundred acres in the towns of Lenox and Stockbridge. It is the location of the Koussevitsky Music Shed and Ozawa Hall, where hundreds of thousands attend concerts and a variety of events, including picnics. We always advise new visitors to arrive early and take their daily walking exercise wandering the beautiful Tanglewood grounds. This dynamic map of the Tanglewood grounds includes photos and information for such points of interest as Aaron Copland Library, Highwood Manor House, The Glass House, and The Lion’s Gate.

August 2, 2016 Tanglewood concert review by Dave Read

2016 Tanglewood on Parade gala concert included four guest conductors, Stefan Asbury, Stephane Denave, Ken-David Masur, and Giancarlo Guerrero besides Boston Pops Conductor Laureate John Williams, who also is a composer of movie scores, including Star Wars, an excerpt of which was on tonight’s program. Even though March of the Resistance, from Star Wars: The Force Awakens, was just a small part of the program, it is noteworthy because George Shultz was in the audience. He was secretary of state during the Reagan administration, who’s Strategic Defense Initiative was nicknamed Star Wars, following the runaway success of the original movie in 1977.

The format for this program differs from every other BSO concert on the Tanglewood schedule. There are always more orchestras and more conductors leading the musicians in more musical selections. What remains static year after year is the presence of the Boston Symphony Orchestra, Boston Pops Orchestra, and the Tanglewood Music Center Orchestra, each presenting a segemnt of the program and then all massing for the grand finale performance of the 1812 Overture, Tchaikovsky’s celebration of the defeat of Napolean’s army, which always blows the roof off the joint! Maestro Giancarlo Guerrero, music director of the Nashville Symphony Orchestra and native of armed-forces-free Costa Rica, was the aptly named choice to conduct the 1812 Overture, and he succeeded brilliantly in unifying the 140 or so musicians into one triumphant orchestra.

Returning to lead the Tanglewood Music Center Orchestra was Stephane Deneve, chief conductor of the Stutgart Radio Symphony and Brussels Philoharmonic, who can be heard here talking about working with the Tanglewood Music Center fellows – “…each year it is a different orchestra, but every year they seem to get better…” – and about La Valse, Ravel’s choreographic poem which he conducted tonight. The performance was spell-binding; hard to believe the orchestra was convened little more than a month ago, and wistful to know that it will disband later this month!

Opening the concert was Stefan Asbury, head of the TMC conducting program, with the BSO performing Night Train to Perugia, by Michael Gandolphi, who was called to the podium afterwards to share in the audience’s warm reception to the orchestra’s performance of his work. Next, Ken-David Masur, BSO assistant conductor, led a reduced orchestra and soloists Elizabeth Rowe on flute and Jessica Zhou on harp in a sublime performance of Mozart’s Concerto in C for Flute and Harp.

And in addition to the Star Wars piece, John Williams led the Boston Pops in the world premiere of Of Grace and Majesty, Suite from The BFG, before yielding the podium to Maestro Guerrero.

About Tanglewood: box office, tickets, getting there, nearby hotels

Follow this link for Berkshires travel information, including public transportation within Berkshire county and Amtrak and Peter Pan bus schedules.
Find hotels near Tanglewood with user reviews, check amenities, nearby attractions, availability and then book your room reservations at these lodging establishments through our partner, International Hotel Solutions (IHS), the leading provider of secure online hotel reservations.

Getting around the Tanglewood campus

The Tanglewood campus, summer home of the Boston Symphony Orchestra and the Tanglewood Music Center comprises several hundred acres in the towns of Lenox and Stockbridge. It is the location of the Koussevitsky Music Shed and Ozawa Hall, where hundreds of thousands attend concerts and a variety of events, including picnics. We always advise new visitors to arrive early and take their daily walking exercise wandering the beautiful Tanglewood grounds.

Here is a dynamic map of the Tanglewood grounds, with photos and information for such points of interest as Aaron Copland Library, Highwood Manor House, The Glass House, and The Lion’s Gate.

August 7, 2015 Article by Dave Read

This year’s Tanglewood on Parade Gala Concert, the Tanglewood Music Center’s main fundraising event, was an especially satisfying evening of music, even if a little sad because John Williams’ health prevented his participation. With the Boston Pops conductor laureate absent, tonight’s audience was made to settle for three conductors, instead of the usual four, but got to witness the Pops debut of Boston Symphony Orchestra music director Andris Nelsons.

The program got underway with Nelsons leading the BSO in selections from Berlioz, Ravel, and Shostokovich. Maestro Nelsons didn’t address the audience tonight, but he certainly was communicative, displaying an uncanny vocabulary of conducting gestures. So fluid and captivating as he cajoles and exhorts the orchestra, this successor to Koussevitsky makes you think he may, as well, be a disciple of Balanchine.

In the next segment, popular guest conductor Stephane Deneve led the Fellows of the TMC in three John Williams compositions. Deneve was both funny and eloquent as he talked about his own affection for Williams and in introducing the compositions, including Just down West Street … on the left, Williams’ gift in honor of the TMC’s 75th anniversary. The Violin Concerto, a tribute to his first wife whao had just died, featured longtime Pops concertmaster Tamara Smirnova taking a rare turn as soloist.

Boston Pops pay tribute to Frank Sinatra
The festivities resumed after intermission with Keith Lockhart conducting the Boston Pops in Kabalevsky’s Overture to Colas Breugnon, followed by A Tribute to Frnk Sinatra: “Ole Blue Eyes at 100.” Not only were the Pops’ great jazz chops again in evidence, but so was the clarity of their enunciation, as you could practically hear the lyrics in their renditions of Chicago and New York, New York.

Star Wars and the Cold War

Pops conductor Lockhart then introduced the Pops debut of Maestro Nelsons for the performance of another John Williams selection, Throne Room & finale from Star Wars. During the Reagan Administration, “Star Wars” became the nickname for the Strategic Defense Initiative, one of the closing initiatives of the Cold War, which is notable because Reagan’s Secretary of State, George P. Shultz, a frequent Tanglewood patron, was in the audience tonight.

Tchaikovsky’s 1812 Overture

No matter how exciting the program and how brilliant the performances, everything else is merely prelude to Tchaikovsky’s 1812 Overture, which always concludes the gala concert, itself the finale to the annual day-long celebration of music at Tanglewood. We heard an unusual rendition of it here last month, performed by the Boston Pops Brass & Percussion section and two world-champion drum and bugle corps, the Blue Devils of California and the Boston Crusaders. While that was great fun, tonight’s rendition, under Nelson’s impassioned direction, was truly breathtaking.

August 5, 2014 Article by Dave Read

The 2014 Tanglewood on Parade Gala Concert featured Gov. Duval Patrick reciting This Difficult Song: The Star-Spangled Banner at 200, and Maestros Stephane Deneve, Keith Lockhart, Andris Poga, Leonard Slatkin, and John Williams conducting the Boston Symphony Orchestra, Boston Pops, Tanglewood Music Center Orchestra and students from the Boston University Tanglewood Institute performing a program of music by Aaron Copland, Shostokovitch, George Gershwin, John Williams, Dave Brubeck, and Tchaikovsky, whose 1812 Overture was the grand finale.

Following an afternoon of student ricitals in Ozawa Hall and elsewhere on the vast Tanglewood campus and the gradual accretion of music patrons and fancy picnic fanatics assembling on the Lawn, a delightful Berkshires summer afternoon quickly morphed into a dark and story night! Lawn patrons were evacuated from their water-logged encampments, invited to shelter in the Koussevitsky Music Shed, where they crammed the rear colonnade and side aisles. Perhaps to allow time for blanket-wringing-out and candelabra-wiping-off, the concert was delayed until 8:55, although the Fanfares by TMC Fellows were performed on time at 8.

Blue Rondo a la Turk in new symphonic arrangement

One highlight on today’s concert was the Boston Pops performance of Dave Brubeck’s brilliant Blue Rondo a la Turk, in a new arrangement that they commissioned from son Chris Brubeck. Pops conductor Lockhart introduced the number by telling the audience that Brubeck was rather quizzical when first asked about a symphonic arrangement for his father’s singular jazz classic. But then he got to work and the result, judging from tonight’s scintillating performance by Lockhart and the Pops, is a piece bound to only broaden the audience for the original.

Intermission was shortened and a few pieces were deleted from the program, and one added – William’s Theme from Raiders of the Lost Ark, which was received with an extra round of applause. The truncated program caused no diminution at all in its entertainment value, though; rather the audience seemed to have loved the concert and then were happily surprised and thrilled by the fireworks that followed. Proceeds from this concert go to support the Tanglewood Music Center.